Now here was a Munich High End show demo that could have gone either way: Miles Davis’ classic jazz albums Kind of Blue (1959) and Sketches of Spain (1960) re-mixed for Dolby Atmos. Would the producers of this bold effort maintain the sonic integrity of the original recordings, or would they succumb to the worst impulses of 5.1-remix era, surrounding listeners in a swirl of brass, with Bill Evans’ piano raining down from overhead?


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